Despite the economic crisis, art in Greece is booming. By 2015, new museums and cultural organisations are scheduled to open their doors to the public, many of them privately funded rather than state-run as in the past. As Greek classical orchestras and opera companies find themselves in a bleak financial situation due to government spending cuts, private funding seems to have offered a way out. At the same time, non-traditional venues such as Syntagma Square’s metro station and airplane flights have been used as opera stages, in an effort to promote it to new audiences.
Yet the question of how opera, along with other elite art forms such as classical music and theatre, can and should be made more accessible to all is a fraught one. Some argue, for example, that the key lies in demystifying some of opera’s difficulty by incorporating elements from popular culture and emphasising its contemporary socio-political relevance. Yet others warn that such an approach risks alienating current and potential audiences who are attracted to art precisely because it is so strange and diverts us from everyday concerns. They argue that the opera world – especially critics - should certainly focus their energies on inspiring and explaining opera’s virtues for the curious, while accepting that The Ring Cycle isn’t for everyone.
Can such projects – whether privately or state funded - really be justified when they bring little obvious benefit to most Greeks, especially in a period of economic crisis? What emphasis should performers and critics place on making opera more accessible versus making judgments on purely artistic grounds? Does opera, or any other ‘difficult’ art form, by definition need to be held to different standards of accessibility than popular culture?
Speakers Dr Eugenia Arsenis director; dramaturg, Center for Contemporary Opera, New York Dolan Cummings associate fellow, Institute of Ideas; editor, Debating Humanism; co-founder, Manifesto Club Dr Nikos Dontas head, Dramaturgy Department, Greek National Opera; music critic, Kathimerini Dimitrios Kiousopoulos historian; columnist, Eleftherotypia Ioannis Tselikas assistant professor, Hellenic American University; music editor and performer Chair Alan Miller co-director, NY Salon; co-founder, London's Truman Brewery; partner, Argosy Pictures Film Company Produced by Geoff Kidder director, membership and events, Institute of Ideas; convenor, IoI Book Club; IoI’s resident expert in all sporting matters Ira Papadopoulou director of cultural affairs, Hellenic American Union Dr Nikos Sotirakopoulos assistant lecturer in sociology, University of Kent
#BattleFest2014: Opera: are we all invited?